Art in the park 

Free admission, open daily during park hours (dawn to dusk)

The solo roths waltz across the red hot colossus lot

This public art project completed in August 2020 has transformed Artpark’s 160,000 square foot lower parking lot (Lot D, South 4th Street entrance) into an expansive canvas of colorful playfulness that expresses universal connections of our shared humanity. Lead artists Rob Lynch & Matt SaGurney (The Solo Roths) collaborated with the Artpark Bridges Team (People Inc.; Cynthia Pegado - Director of Artpark Bridges; and Parkinson’s Community) to generate concepts and imagery to be painted in the Lower Parking Lot at Artpark. More Info

Supported by: Charles D. and Mary A. Bauer Foundation, Cornerstone Community Federal Credit Union, Joe & Pam Priest, Marla & Jeff Williams


Niagara 1979 By Gene Davis Re-Installation 

In the summer of 1979, artist Gene Davis created this artwork entitled "Niagara 1979," made up of 60, two-foot wide by 364-foot long lines rolled in nine different colors. The artwork of over 43,000 square feet was the world’s largest painting and thousands came out to experience it. In 2017 Artpark launched a Kickstarter campaign that hailed the support of over 145 community backers to re-install the painting. More Info


artpark percussion garden 

Each element of the Artpark Percussion Garden presents playful opportunities for visitors to explore the different ways to interact and produce sound while posing curious questions on the nature of a performance, music-making and relationships within the natural environment of the park. Includes mulitple interactive installations by various artists. MORE INFO

Artpark Percussion Garden has been made possible by a generous gift from the Charles D. and Mary A. Bauer Foundation.


EARTHSONG by Carin Jean White 

Haudenosaunee stories and song fill the air near the Hopewell burial mound. This sound installation shares Native American heritage and culture, and draws attention to the natural environment of the area.




This project was made possible through a grant from the Niagara Falls National Heritage Area Grant Program and thanks to a grant funded by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature: administered by the Arts Services Initiative of Western New York.



BOWER by Ellen Driscoll and Joyce Hwang,
curated by City as a Living Laboratory/Mary Miss

Bower is a multi-media installation joining glass with a series of interrelated architectural structures meant to promote awareness and interest in local bird species. An educational program on the site of the installation has been curated by the Buffalo Audubon Society. 




This installation, curated by a returning Artpark artist, Mary Miss (Blind Set 1976) and her City as a Living Laboratory organization is the inaugural program for a new multi-year initiative at Artpark: "Artpark as a Living Laboratory." The mission of this multi-year initiative, led by Mary Miss, is to make sustainability tangible through the Arts.

Bower installation was conceived by Driscoll and Hwang to promote awareness of local bird species, and draw attention to the ever-increasing perils of bird-strike window collisions and deaths.  In the design of this work the artist and architect consulted with area ornithologists, Katharina Dittmar, Ph.D, University at Buffalo, Associate Professor of Biological Sciences and Heather Williams, Ph.D Candidate, University at Buffalo, Department of Biological Sciences. The project was executed with the collaboration of Matthew Hume, Assistant Adjunct Professor of Architecture, University of Buffalo and Structural Engineer, Mark Bajorek, P.E.

Bower is an arrangement of architectural fragments which host birdhouses and pictorial glass windows evoking the vernacular architecture of the Lewiston area with embedded birdhouses (or nesting boxes) designed to accommodate a variety of local bird species - including chickadees, wrens, flycatchers, nuthatches, bluebirds, and purple martins. They are attached to the structure, in an arrangement that have taken into account environmental factors which affect bird nesting and habitability.

The window images are created from drawings that depict local species of birds that have come to prefer human-made structures to nest in. Some, like the purple martin, make an annual journey of 3000 miles from North America to Latin America and back again. The images in the windows are overlaid with a grid of dots, a pattern which prevents birds from colliding with the pane of glass.

The Bower project has been made possible by generous gifts from the Garman Family Foundation and Pamela & Joseph Priest.



Art in the Park Installations


Chuck Tingley - "The Ascent"

Location: Lower Park (Use 4th Street entrance). Concrete wall outside of Art Gallery and concrete benches in Theater Terrace nearest the Art Gallery & Box Office



Gabriella D'Angelo - "PAL Bench"

Location: Richard's Marsh


Sarah McNutt and Nathanial Hall- "Natural Preservative"

Location:  Artpark Woods at Oak Hill Project Entrance



Sue Berkey - "The Red Coyote"

Location: Artpark Woods



Karen Sirgey - "Pods" 

Location: Artpark Woods  





For more information, please contact Artpark Director of Family Programs Tanis Winslow at [email protected]